Download Nvidia GeForce Graphics Driver 307.74 for Windows Vista/7/8 32-bit. OS support: Windows Vista / 7 / 8. Category: Graphics Cards. Quest’oggi parliamo della distorsione prospettica nelle camere reali :). Come sicuramente quelle 2/3 persone che leggeranno questo post sapranno, diverso tempo f Lo sviluppo di Windows Vista inizi. Il nome in codice del progetto di sviluppo era Longhorn. Durante le prime fasi di. How to Disable Anti-Aliasing for Video Drivers. Modern video cards use anti-aliasing to smooth the jagged edges that are often observed in 3D applications such as games. A Comprehensive Guide to Windows Vista Fonts for Designers. By Michael Tuck. Once Vista was available for beta, many web designers adopted it early to begin trying — with varying levels of success — to figure out if they can incorporate Vista fonts into their designs. Three things quickly became clear: They are beautiful typefaces. They are unusually — and, for designers, unacceptably — blurry unless you have Clear. Type or another anti- aliasing protocol enabled; but there are serious issues with Clear. Type. With some exceptions, they are markedly smaller in size than most fonts, making them difficult to incorporate into font stacks. Trust Microsoft to create something attractive and potentially valuable like this set of spiffy new fonts (or an operating system like Vista), and then take steps to ensure they can’t be used easily. But I like these fonts: they’re beautiful and they are available in many of our user’s computers (as much as 9. PCs use Windows as of May 2. In addition, the design community deserves some thought as to how to use them in their work. Let’s see what we’re up against. Breaking Down the Fonts. Download drivers for NVIDIA products including GeForce graphics cards, nForce motherboards, Quadro workstations, and more. Update your graphics card drivers today. Version: 191.07 WHQL: Release Date: 2009.10.05: Operating System: Windows 7 64-bit, Windows Vista 64-bit: Language: English (UK) File Size: 145 MB. Vista . I can’t remember all the possible names I came up with, each of which ended up rejected after international trademark searches. Microsoft probably spent more money on lawyers doing trademark searches than they spent on the typeface development! As I recall, the day before the penultimate choice came back rejected, I’d been singing some psalms during vespers, and noticed the word constantia. Hey, I thought, that starts with C! If you don’t have them yet, keep reading! The . I cordially despise everyone’s default monospace fault, Courier New, much preferring Andale Mono and other more stylish monospaces. Like Calibri, Lucas de Groot designed this font. Constantia. The other serif font of the collection, Constantia, is elegant without being overtly ornate. It’s clean, readable, and overall an excellent and versatile font. Creator of the font, John Hudson, says he designed it to work in both print and electronic display formats. Download English (U.S.) WHQL drivers for NVIDIA hardware - G210, GTX 275, GTX 280, GTX 285, GTS 240, GTX 260, GTS 250, GT 220, GTX 295, GT 130, G 100, GT 140, GT 120. Antialiasing has its own problems, inherent to low resolution of computer displays. Most notably, small text looks blurry, as shown on a figure 3. Font rasterization is the process of converting text from a vector description (as found in scalable fonts such as TrueType fonts) to a raster or bitmap description. On the screen, it looks very similar to Palatino Linotype or Book Antiqua, but with a bit more modern feel. Dan Cederholm of Simple. Bits — in his quest to provide the best ampersand ever for use in your designs — finds Constantia’s ampersand (& ) works well as a companion to Palatino/Palatino Linotype in the ampersand beautification code. Corbel. Corbel is the last of the sans- serif fonts in the collection. It is clean and readable, but to me, it suffers from some of the same design limitations as Cambria. Microsoft calls Corbel’s appearance . In 2. 00. 5, he submitted 6 screenshots of the fonts in use on his i. Silo device, including this example of Constantia in use below. Constantia on i. Silo. The Odd Ones Out: Segoe UI and Nyala. The Vista font collection contains two more fonts that are often forgotten in discussions of the collection: Segoe UI and Nyala. Segoe UIA sans- serif font, Segoe UI is a member of a larger . It has a lighter and more rounded feel than the . Designer Steve Matteson says Segoe UI is an entirely original design. All legalities and disputes aside, Segoe UI is a terrific design choice if you have Clear. Type enabled, and if you’re comfortable with the heavy- handed anti- aliasing the technology provides. Without proper anti- aliasing, Segoe UI goes from strong yet delicate, to almost brutishly crude. Nyala. The least known of the eight Vista fonts, Nyala, is supplied with Windows Vista and Windows 7, as well as with Windows Server 8. It’s a restrainedly ornate serif font that — to my rather blurry eyes — appears a bit jagged in many displays. It’s also the only one of the eight Vista fonts that is virtually impossible to find for free if you don’t have it as part of your Windows installation. According to Microsoft, . Suddenly, hundreds of thousands of potential Web users were gifted with almost a dozen new fonts. So how many Windows users have them? The savants at Code. Style can answer that question. Periodically, they issue an update of their survey of the fonts being used . Nyala comes in a good bit lower, at around 4. Windows users having that font on their machines. A small but significant number of Mac users — about 1. For some perspective, that’s twice the percentage of Windows users who have Helvetica (the Mac equivalent of Arial) on their machines. Linux users, which accounts for around 4. The numbers for Windows users went up about 5% in just a month (from May to June) — a significant increase. This tells us that market penetration for these fonts is going up. Quick recap: We can expect well over half of our Windows users to have the Vista . There are signs that this will increase relatively rapidly. What this means for web designers, though, is that while you can lead off with a Vista font in your font stack, you should have it followed (backed up) by fonts that are more universally available (Web- safe fonts) until these numbers reach higher percentages. Size Really Does Matter. Unfortunately, the Vista fonts are tremendously small (think x- heights) in comparison to fonts that would ordinarily be used in font stacks with them, making it tough to design for them. Or at least seven of them are; Segoe UI is larger than its seven siblings, and in its size, compares fairly well with fonts that it would likely be paired with, such as Verdana, Helvetica/Arial, and Tahoma. Also, the size differential seems more pronounced on the . Some of the Vista fonts are so much smaller than their confreres that using them in front of your font stacks might throw off your design, especially if you’re designing a tightly structured, . The new fonts are mostly too small to be plugged right in to an existing CSS file. If you tweak the CSS so that it looks right for, say, Calibri; ten minutes later someone that doesn’t have that font is going to come around and ask your server for that CSS file . They do note that Consolas works nicely in their designs without a lot of tweaking. Brownspank at Six. Things observes: . Was it just ignorance on the part of their type designers? Some underhanded way to make web pages look bad in other browsers so everyone has to use IE? Clear. Type (CT for short) is an anti- aliasing (sometimes called font smoothing) utility first developed for Microsoft Reader in 2. Windows XP. It is enabled by default in Vista, Office 7, IE 7, and Windows Live Messenger. If you’re familiar with Adobe’s Cool. Type, Microsoft’s version is relatively similar. Microsoft made the decision — foolishly, in my opinion — requiring Clear. Type to be enabled for these fonts to display properly, and designed them to CT specifications. By doing so, they took 8 very usable fonts and made it much more difficult to justify using them in font stacks that are constructed to work on 9. Web designers, whether using Vista fonts or not, absolutely need to test their designs in Windows displays with Clear. Type enabled and again with it disabled. Mac users have font smoothing operating all the time, so it will be less of an issue (or at least the same issue) for Mac folks. Mac font smoothing is pretty standard, with OS X using the Quartz anti- aliasing filter and Mac OS 8 and 9 systems using an older utility, Quick. Draw. Mac blogger Matt Mc. Ervin gives some more detailed information on both Quartz and Quick. Draw’s anti- aliasing techniques. The difference between fonts rendered in Quartz and Clear. Type. Source: Smashing Magazine. ZDNet’s George Ou, writes that CT is superior to Quartz in rendering fonts on- screen. Blogger, Joel Spolsky, disagrees to an extent, positing that Quartz does a better job of rendering the typeface as it was originally designed, at the cost of a bit of blurriness. This debate addresses why some Safari for Mac users find the font displays unacceptably blurry. Opinion is strongly split for and against anti- aliasing in general — and Clear. Type in particular. Personally, I like font smoothing because my eyes are bad and both my computer monitor and my glasses are old. I’ll take what I can get to help me see clearly. Those with sharper vision and better monitors can, and do, disagree. Notable designer, Jon Tan, has a particularly acerbic take on Clear. Type, especially how it is implemented in IE 7. In my view it is a backward step from the old Windows Standard rendering. I am at a complete loss to explain why it is allowed to persist. That’s probably because it is part of the first font family designed from scratch with Clear. Type hinting in mind. However, I prefer not to use font smoothing on my programming fonts. And Consolas looks like crap without Clear. Type! Consolas appears to lack any kind of hinting for reasonable display at small point sizes. Consolas isn’t just optimized for Clear. Type, it can barely be used without it. Windows 7 folks have the utility in their Control Panel’s Appearance and Personalization applet. XP users also have an online version of the CT Power Toy available for their use. Not For Printing. With the possible exceptions of Constantia and Corbel, these fonts are designed for the screen, not for print. I wouldn’t run to change my print stylesheets to incorporate these fonts. Using the . Most designers and users agree that the font, Helvetica, projects a cool, somewhat detached, mood when used in designs while Times New Roman projects a solid, if perhaps a bit stodgy, feel. A 2. 00. 6 Microsoft- funded study by the Software Usability Research Laboratory had subjects detail their feelings about a list of 2. Users consistently attributed personalities to fonts displayed onscreen. Cambria appeals to both electronic and print displays. Candara and Corbel made less of an impression. Vista Fonts in the Wild. Screenshot of an Itst. Cambria. Carlin. I was somewhat surprised to find very few sites using any of the Vista fonts as their primary font in their font stack. Here are a few sites that use Vista fonts.
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